CdRF's mission is making Romanian photography more well known internationally; we want Romanian photographers and their photos to have a greater presence, higher value and better visibility on international markets in the long term. We strongly believe this can be achieved through education, direct support to photographers, collaboration and audience development. We, the CdRF team, are here to develop the framework for photography and you, our students, clients, participants and friends, to fill this framework with your vision. After reading about us, we invite you to meet us at the center - Popa Tatu 68, Bucharest. THE TEAM Sorin Florea Sorin Florea is a photographer and artist with a penchant for geographical, cultural and anthropological exploration; he says he is a "creator of stories which must be told". His works, although photography is the instrument of approach, are not limited to photography but also frequently use video and sound. He has exhibited video and photo works at MARe, MNTRplusC in Bucharest and SR Gallery in Brussels. At CdRF you will see Sorin coordinating the “Is this art ?” gallery and meet him as a teacher at our courses and workshops. sorin-florea moldovan Ioana Moldovan She photographs both from behind the front line and inside a small rural community; is a journalist, documentary photographer and author of reports, albums and articles. If you ask her what photojournalism is she'll tell you it's about story and feeling and empathy and drawing attention to an issue over and over again. Her reports have been published by The New York Times, ESPN, Al Jazeera English, Huffington Post, BBC, Der Spiegel, Open Society Foundation, Libération, Deutsche Welle, LensCulture, Radio France Internationale, Slate.fr, Decât O Revista and Dilema among others. She received awards such as The Bill Eppridge Memorial Award for excellence and truth in photojournalism or "Women of courage" (US Embassy, Bucharest) for outstanding activity in highlighting the truth through photojournalism. Ioana joined from the beginning in the creation of CdRF, collaborating with the rest of the team to lay the foundations of the educational component of the center. You will meet Ioana as a lecturer at courses and workshops or at CdRF events. We also invite you to see the section of print where you can grab a limited edition photo of hers. lazia-cornel Cornel Lazia He photographs people, spaces, suspended cities, studies the interaction and influences between the film image and photography, and teaches at UNATC; successfully balances commercial photography with artistic, personal photography. He started as a DOP for visual projects and from 1998 until now has continued as a professional photographer. He used to be a Depeche fan (not a Depeche Mode fan) and his love of music led him into album photography - you've probably seen his photos if you had the album "After the Blocks" (BUG Mafia), "In haine noi" (Vank) or, more recently, "Equilibru" (Man on the moon). You've also seen his photos in Elle, Cosmopolitan or Harper's Bazaar; you have also seen them through the advertisements in the city. At the same time, Cornel was and is interested in borders and their visual dialogue, among his latest exhibitions are "Horizon Tales" (Art Yourself Gallery, 2019), "Intersections in Cartierul Creativ" (Cartierul Creativ, 2019) together with Horațiu Șovăială, "Monolith, an Expression of Viewing" (Creart Gallery, 2019) or "Contact" (Art Yourself Gallery 2018). Cornel has been with us since the Walk & Shoot days and has sincerely supported the establishment of CdRF. You will meet him as a lecturer at courses and workshops and if you want a Lazia at home, we invite you to see the section of print . Andrei Pacuraru He photographs points, lines, shapes and geometries; he has a special penchant for photographic technique and composition. He has been a photographer for over 15 years, lecturer and member of the National Association for Contemporary Visual Arts. Self-taught, he formed his style through commercial photography, photojournalism and conceptual photography. His works have been exhibited both in Romania and abroad. He is currently the custodian of the PAC Collection, a personal archive started in 2006 containing over 10,000 unpublished photographs. He does not necessarily like to present his photos online, so his images can be seen illustrating books, on their covers or in exhibitions. Last but not least, Andrei thinks in series and projects; he always finds the red thread, is honest and extremely engaging. Expert in photographic technique, he explains the photography process like no one else. Andrei is part of the core team in the construction of the center and you can meet him at courses and workshops as a lecturer but also at CdRF events. PAC Bulboaca Adrian Bulboacă He photographs artists, shows, trains, stations and moments that evoke emotions; is one of the most famous theater photographers in Romania. You see a Bulboacă almost every time you look at theater posters. He started by photographing his fellow actors of his generation and continued until he exceeded a thousand theatrical, dance and performance performances photographed. For many years already he has been the official photographer of several theater festivals, the TIFF festival or cultural events in Romania. Lately he has discovered his passion for running and when he is not photographing, he is training for or participating in marathons. Adi is the kind of photographer for whom no sacrifice is too great, in the sense that if he is in a new place, he will give up activities like socializing or sleeping to explore with camera in hand. He believes that his role is to give back to the community and he sincerely believes in the importance of the role of teacher, guide, mentor. Adi has enthusiastically joined the center and you will be able to meet him at CdRF at courses and workshops, but also at our events. We also invite you to view his photos and take one limited edition print . Ionut Staicu He photographs fashion, beauty, artists and, more recently, product; is passionate about analog photography and a studio expert. Ionuț started in 1999 as a fashion photographer, while collaborating with all Romanian profile magazines and all modeling agencies. In addition to fashion pictorials, he is passionate about the world of entertainment and has photographed whole series of artists, especially from theater and dance; he was Adi Bulboacă's mentor, still sharing the same studio. He feels at ease with the device in hand, knows the importance of teamwork and is very generous with information when teaching. In recent years he has moved into product photography and creates visual stories for clients. He likes the border between photo and video, often using elements of movement in his photography. Ionuț completed the center's core team, structuring practice sessions in the studio and planning the camera for developing analog photographs. You will meet him in the frame courses or a workshops the center, but also at CdRF events. ionut-staicu Cristina Irian She photographs but more than that, she is a researcher and an antropologist; she is passionate about archival photography and anthropological photography, being constantly involved in interdisciplinary projects. She received his doctorate at UNARTE, Art History and Theory. She studied visual anthropology in Bucharest, SNSPA and Perugia, at Universita' degli Studi UniPg, but also comparative local development at Universita' degli Studi di Trento. Together with Cristian Bassa and Dorin Delureanu, she founded the Omnia Photo association with the aim of promoting contemporary and historical photography and developing the public of photography. Cristina always has at least one old photo with her that she can talk about for hours with enthusiasm; she's the one who can give you tons of details about an unknown family just by looking at a picture taken at the turn of the last century. She successfully passes through multiple roles – from researcher, to artist or pedagogue. She joined us to continue promoting archival photography, to continue sharing her knowledge of photography with the public and to support our internationalization of Romanian photography. You will meet Cristina as a lecturer at courses or at the workshops of the center and at CdRF events. irian Alexandru Molovata He manages teams of photographers, organizes photography archives, curates exhibitions and photo albums, teaches photography since 1997 and is a photographer; moreover, he is a passionate and experienced photo editor. For Alex, photography is present in every minute of his life and photographs are his community. He started as a photojournalist at Jurnalul Național and developed there until 2007 as manager of the digital team. He continued as a digital manager at Intact and in recent years specialized in the organization of photo archives and the use of DAM/MAM technologies. In CdRF, he will coordinate all the visual content, manage everything that means photography and promote the center's products. You will meet Alex at the center and if you need expertise in organizing workflow and archives, take a look at center services to benefit from his advice and help. Andreea Irina Leu CEO and co-founder She has been photographing since she was 11 but she is not a photographer; she is just hopelessly in love with photography. For her, photography means memories and history, it means moments captured forever. The day job, for the last 20 years is a very technical one that combines consulting on non-reimbursable funds with research and with management. She also likes to create stories (in writing or in photos, it doesn't matter). CdRF is a natural continuation of the Walk&Shoot photography workshops, in which all her professional experience accumulated over time can be found. You will meet Andreea at the center, at CdRF events or as a stylist at makeup and hairstyle workshops (she has also done this for the past 20 years). CONTRIBUTORS tamas-crisbasan Cristian Crisbășan https://www.facebook.com/cristian.crisbasan Cristian Crisbășan is not the photographer who looks for "beautiful things". Often looking to step out of his comfort zone, his portraits and nudes are honest and provocative. "The New Erotic Photography" and "The Big Book of Pussy" (published by TASCHEN) are just two art albums in which her photographs have been published. We invite you to take one limited edition print signed by him. Hajdu Tamás https://hajdutamas.blogspot.com Hajdu Tamás is a veterinarian and photographer in Baia Mare, Romania. His photography is ironic and playful, but at the same time dramatic. Over time he had several exhibitions, won a series of photo contests and his photos were included in Romanian and international photo magazines. In the past we did a photo workshop together and we will repeat the experience as soon as possible. Until then we invite you to view his photos and choose one limited edition print signed by him. Codex http://kodex.ro We consider them the best for printing and photo framing. All prints in our store are made at them, all prints for CdRF exhibitions are made at them. We recommend them with confidence. Opera Studio http://operastudio.ro Among the most luminous and welcoming photography studios we've entered. It is shared by Adrian Bulboacă and Ionuț Staicu, and it is neighbouring with unteatru (one of the main independent theaters in Romania). At Opera Studio we will some of our meetings and the practical parts of courses or workshops that require a well-equipped, equipped and spacious studio.

PHOTOGRAPHY SCHOOL #5 More Studio photography course with Ionuț Staicu More 1-on-1 Workshop in the Development Room More PHOTOGRAPHY SCHOOL #5 More 1/8 Photo. Photography Resource Center Bucharest, Romania Place / Living / Home The most recent exhibition by Bogdan Gîrbovan, curated by Diana Marincu, can be seen until July 10 at CdRF Galeria/ Popa Tatu 68. On June... КИО / KIO opening The Soviet circus was not just a form of entertainment, but a profound cultural phenomenon – one that transcended social and economic... Opening of "Lingua Matrimonia Study No. 17" by Eliza Lupu - March 20, 6:00 PM We invite you to discover "Lingua Matrimonia Study No. 17" - the exhibition signed by visual artist and conceptual photographer Eliza... 1 2 3 4

Cookies This site uses cookies. We may use cookies and similar tracking technologies (such as web beacons and pixels) to access or store information. Specific information about how we use such technologies and how you can refuse certain cookies is set out below in our Cookie Policy. Cookie policy In order for this site to function properly, we sometimes place small data files called cookies on your device. Most Sites do this. What are cookies? A cookie is a small text file that a website saves on your computer or mobile device when you visit the website. It allows the site to remember your actions and preferences (such as login details, language, font size and other display preferences) over time, so you don't have to keep re-entering them every time you return to site or navigate from page to page. How do we use cookies? We use local, first-party cookies to make booking our events easier for both us and you. We also use third-party cookies from Facebook and Google Analytics to ensure targeted and relevant marketing campaigns . Why do we use cookies? We use as few cookies as possible because we strongly believe in privacy. However, the ones we have implemented help us see which workshops and courses are most popular, count visitors to a page, improve our users' experience, keep our services secure, provide relevant advertising and overall, to provide you with a better, more intuitive and satisfying experience. It also helps us analyze how you use our website, which in turn helps us troubleshoot any problems and monitor our own performance. There are two types of cookies: Session cookies (transient): These cookies are deleted when you close your browser and do not collect information from your computer. They usually store information in the form of an identification session that does not personally identify the user. Persistent (permanent or stored) cookies: These cookies are stored on your hard drive until they expire (that is, based on a set expiration date) or until you delete them. These cookies are used to collect identifying information about the user, such as web browsing behavior or the user's preferences for a particular site. Take a look below to see what type of cookies we have on our site: svSession - persistent cookie - a cookie aimed at identifying unique visitors and tracking visitor sessions on the site - we use this cookie for analytical purposes, as we are interested in how long you spend on our site and what pages you have actually read. TSxxxxxxxx (where x is replaced by a random series of numbers and letters) - session cookie - security cookies aimed at preventing (as far as possible) network attacks. Facebook cookies aimed at better advertising - this cookie will help deliver our advertising to people who have already visited our website when they are on Facebook or a digital platform powered by Facebook Advertising. XSRF-TOKEN - session cookie - session cookies intended to help site security in preventing cross-site request forgery attacks. RequestID - session cookie - cookie that aims to track visitor behavior and measure website performance - again only for analytical purposes and enhanced marketing campaigns. Storage of the cookies The timeframe in which a cookie remains on your computer or mobile device depends on the status of that cookie, which can be a persistent cookie or a session cookie. Session cookies remain in the system until you stop browsing and persistent cookies remain until they expire or are deleted. Most of the cookies we use are persistent and will expire between 30 minutes and 2 years after they are downloaded to your device. Read the next section for more information on how to control cookies to learn how to delete them before they expire. How to manage cookies? You can control cookies in various ways. You can control and/or delete cookies as you wish - see aboutcookies.org for details. You can delete all cookies that are already on your computer and set most browsers to prevent them from being placed. However, if you do this, you may need to manually adjust some preferences each time you visit a site, and some services and functionality may not work. Please keep in mind that deleting or blocking cookies may have a negative impact on your experience and certain parts of the site may no longer be fully accessible. You can choose what kind of cookies you accept using the cookie settings. Most browsers accept cookies automatically, but you can choose whether to accept cookies in your browser settings, often found in the "Tools" or "Preferences" menu. For more information on how you can change your browser settings or how you can block, modify or filter cookies, visit either your browser's "Help" file or the website www.allaboutcookies.org . Many of the advertising or tracking services mentioned above give you the opportunity to opt out of being tracked by their systems. You can read more about the information they collect and how to opt out of being monitored in their privacy policy links listed above. If you have any questions or comments about this cookie policy, please reach out to us using the contact form of this website.

About the project The "Photography Resource Center" project started from the desire to support the development and professionalization of the photographic community in Romania, at the moment there is a lack of community management and representation structures. Perhaps the biggest challenge of a freelance photographer is the fact that he has to be an artist, manager, salesman, PR and sometimes an accountant at the same time. In the case of amateur photographers, the challenge lies in the lack of finality of the artistic act and in the difficult process of entering the market. The public of events dedicated strictly to photography is a niche and relatively small one. Thus, the project proposes the creation of a photography resource center, which, in addition to a dedicated space, will offer educational programs, professional development programs, artistic events and products, and support services for professional photographers; the beneficiaries of the project will be the center's team, 2 visual artists, 158 professional and amateur photographers, 1215 event participants, 3 talented young people and 3 photographers from Norway. The role of the photography resource center is to connect photographers with each other, and photographers with other professionals in other fields. It also wants to be a nursery where amateur photographers can develop, to be able to take the step towards professionalization. Last but not least, the general objective is to become the most important photo resource center in Romania by developing a management structure for the community of photographers in Bucharest and in the country. The specific objectives aim at: The development of a photo resource center in Bucharest which, by the end of the project, will offer a comprehensive range of resources and services for Romanian photographers, thus contributing to the professionalization and artistic development of the community and Increasing the access of at least 158 photographers to professional development programs and at least 1215 people to artistic events by the end of the project, helping to increase access and diversify cultural products. The project activities include the development of the center in the first year of implementation (mentoring for the team, organizing the space and the program) and the organization in the second year of a series of programs and events including workshops, courses, masterclasses, exhibitions, etc. The center will provide the following resources: --Physical resources – library equipped with books and photo albums, computers with specific software for photo processing, workspaces and at least one fully equipped photo studio; --Resources to facilitate skills development – authorized courses, photography workshops, masterclasses and portfolio assessments, discussions and information transfer opportunities for professional and amateur photographers; --Resources for promoting photographers – exhibitions, author photography sales events and creative residencies. The partner from Norway - Morten Bruun - will be actively involved in the construction of the center and the services offered, providing lecturers and mentors from Norway, communicating the project in Norway and supporting the development of the center. The results of the project are 3 jobs, 1215 participants in cultural activities, 1 SME supported, 7 professionals with skills/expertise developed at the workplace, 22 contemporary art activities supported and the strengthening of bilateral collaboration. The Photography Resource Center project is financed by the EEA Grants 2014 - 2021 within the RO-CULTURE Program. ..... The EEA Grants represent the contribution of Iceland, Liechtenstein and Norway towards a green, competitive and inclusive Europe. There are two overall objectives: reduction of economic and social disparities in Europe, and to strengthen bilateral relations between the donor countries and 15 EU countries in Central and Southern Europe and the Baltics. The three donor countries cooperate closely with the EU through the Agreement on the European Economic Area (EEA). The donors have provided €3.3 billion through consecutive grant schemes between 1994 and 2014. For the period 2014-2021, the EEA Grants amount to €1.55 billion. More details are available on: www.eeagrants.org and www.eeagrants.ro . RO-CULTURE is implemented in Romania by the Ministry of Culture through the Project Management Unit. The Programme aims at strengthening social and economic development through cultural cooperation, cultural entrepreneurship and cultural heritage management. The total budget amounts to almost 34 million EUR. For more details access: www.ro-cultura.ro

BECOMING SILVIU GHEȚIE English Interview with Silviu Gheție When did you start taking pictures? I have been doing it for a very long time. I was about 20 years old, I started in ‘87. But the beginning was much more difficult because you didn't have access to materials, to information. I was self-taught, I worked in cellarss and I was taught how to enlarge by a guy who didn’ t really know how to do it either. But it was very exciting that I could express myself through photography. Me who was very confused and technical - I couldn't have painted, for example, I wouldn't have had the patience. You know that moment when you're in the present for a second or two and you snap the picture? That's how much I resisted staying in the present. One second - two. I was very agitated. I was looking in the mirror and I saw the face of a bunny. I couldn't take myself seriously. How did you go from miner to photographer? I was a student of mining sub-engineers and I worked half-time in the mine as a miner's helper, cleaning, supplying... And in the afternoons I went to classes. I was employed half-time, so I only worked 2 weeks a month. And one evening I was late for classes, I was walking in the halls of the faculty and I see an open door - I had already started taking pictures; I thought I was pretty good. It was after the revolution. And I saw an open door where a toilet was supposed to be, but it was disused and usually the door was always closed. The door is open, I see a photo lab, an old man. I say: Hello! Hello! Is this a photo lab? I take pictures too. Yes, look, I'm retiring now. And who comes in your place? I do not know. And how should I try? Well, ask the staff. I was completely innocent and had no idea how these things worked. I went to those ladies, as he told me. I asked around and entered the competition alone and ended up the university photographer. That's how I first became a photographer. In the meantime, I was collaborating with the first newspaper in Baia Mare and with all that I was super bored. I had too much time. I would arrive at 10 and leave at 12 because I was bored - that's a job where you had to stay. And I stayed there until I got a job at the second newspaper. That's how I became a photographer. What is the story of the picture of the man with the newspaper? He was the head of the communist party. The communist party was re-established for a short time after the revolution and his name was Ion Tution. He came to the newsroom - I don't know much about him. After he talked to the others, I called him there in a room, let me take your picture. He was a character, I saw him, with that crutch... And I made two pictures of Ion Tution like this, zac - zac. I have another one like that, Olteanu, quite a strange character from that period. He appears in the picture with the trombone and the rally behind. I photographed him because he was the head of the Romanian Communist Party in Baia Mare after the revolution and his name was Ion Tution. And he had a crutch like a saint. (editor’s note) The interview begins as an interview, but continues as a series of memories, as a discussion between two friends. Here you are looking at memory fragments; just as the memories do not respect a structural rigor, so this exhibition does not respect a rigor of exhibitions either. It is like a continuous flow produced by the hippocampus, neocortex and amygdala, rendered to you in a series of images and words. the 90s The picture of the cow, the woman and the tower is a classic. I was returning from a work trip with my colleagues from the newspaper and I asked them to make a pitstop because I had started a series with the tower - I thought since it is among the tallest towers in Europe it must be like the Eiffel Tower. And how many pictures are there of the Eiffel Tower, why wouldn't the Baia Mare Tower be my Eiffel. I started a life time project - I still have many pictures of the tower - I liked this image a lot because the background was good, everything was perfect. I've got the tower and our football stadium with the tower behind it and then just the empty stadium with one person sitting there - that's what I was doing at the time. Here I was influenced at that time by... you know these art photographers from the communist era who were taking these beautiful pictures with a guy in a suit playing the violin, with instruments that are photogenic, brass instruments set in the park with fog, a brass instrument or a violin on a bench, this style of pictures. And, no, most of them now seem like sentimentalities to me. The trombone, therefore, is a cultural quote from the repertoire of great art photographers – the trombone against the rally background seemed very appropriate to me. That was the idea. The union no longer exists, I don't know how many people from that picture no longer exist. This Phoenix is related to the tower because it is the union of the tower - you can put it next to the picture of the cow and the tower and they are related - with the history of the city. This is from my press days, that’s why I was at the rally. It was a beer drinking contest organized by local television. And that's pretty much the story. It's Bergenbier. They would drink, then go to the toilet, then drink again, until the first throw up. I went to the contest for the newspaper, but I took pictures for myself. I also gave them to the newspaper, but I always did them for myself. I didn't really care for the paper. I considered myself good enough not to care too much, and they appreciated me and left me alone. I liked my colleagues from the former newspaper - "Pentru Socialism" which became "Graiul Maramuresului" - they were fair play in a way, compared to what is now in the press. They really had respect, they had some principles. the 2000s In the 2000s I took a lot of wedding pictures. I did an exhibition with weddings in Bulgaria. At that time, in Baia Mare, wedding photos were outdated from a technical and conceptual point of view. They didn't know tricks, they didn't know how to put blur in images. Commercial wedding photography was just at the beginning and I already had a trained hand and quite capable devices. Back then I was one of the only ones with a real telephoto lens, the only one with good lenses. That's why they invited me to weddings. At first they called me to reformed weddings, also because they didn't have a community member who knew how to take good photos. And now I still go but only those who know what they want are calling me. Who wants someone discreet and to take atmospheric pictures for them. That's the thing about weddings. The last one was last year. Also a reformed wedding of a friend of mine. The Costinești wedding has a great story. I was a set photographer for Radu Munteanu's film. The movie was shot by the sea and I was on a terrace with the boys. It was the off-season, there was no one in Costinești. And it was the only restaurant open. Well, we were sitting there on the terrace bored, having the day off, semi-drunk, with the second director when I see this bride come into the hall and start dancing. We were outside. They were practicing for the waltz. I'm not a paparazzi, but encouraged by my colleagues, I went in and took their pictures. They didn't say anything. After which I continued to photograph during the wedding. I wasn't hired to take pictures; I sneaked in and took pictures. That was all. They didn't have anyone with pictures or video but they didn't comment that I did them either. It was great that evening. Everything was so unreal, like in a movie. Since about 2009 I have worked less and less at the newspaper. Newspapers had begun to disappear. I went to Bucharest where I did set photography; I also did events. after 2010 I was in Sighet, at the folklore festival, and I saw this lady; I still have a photo or two of her. You know I follow characters – first I catalogue them and then I follow them. I have them all in my head and make combinations with them. And this lady was super cool with the cigarette and that death metaphor in the back. I also used this picture for the Memento Mori project. Somehow the shadow of smoking hovered over her. This is from a wedding, flower power. I really like the composition because it's Bruegel style. It gives me a light, floating state... I would like to do more in this style. You see, it has a lot of characters, everything is as it should be. I like the one with many people because it's more complex in expressions. It was a sheep fair, with political guests, the locals were a bit drowsy from the heat, the picture is from the end of the day. Now I'm trying to take photos like these. The more experience you have, the more you understand; and now I understand more than when I started photography. And it's normal for the themes I tackle to change, to become more complicated. People think I was better at the beginning, I don't think so. I'm not the same person anymore and the world has changed a lot since then. I have photos taken a long time ago that I still like very much. I don't have a creative crisis. Now I can take pictures of the same intensity in two days that I used to take in 3 years. I'm not looking for themes; I just open my eyes to what is offered to me. Now I'm much faster – in the past I couldn't take pictures of people without them realising they are being photographed and come out naturally. It was something impossible for me. Now I'm on another level - from my point of view, which is also relative. I don't even try to beautify them too much anymore because I realized that it's not that important. Anyone can beautify, it's much more important that real moment that you capture, without showing yourself: look what a beautiful picture I took. That's kind of the point. I try not to appear in the picture myself. I don't want to shock with angles, lenses, colors, stuff like that. I'm not interested in that. now

Terms & Conditions The use, including visiting and purchasing products/services/courses and workshops on the www.cdrf.ro website, implies acceptance of the terms and conditions that will be detailed in the following paragraphs. The business partner of the client (whether a natural or legal person) is ARTE DEVELOPMENT & MANAGEMENT SRL, with a place of business in Bucharest, Nr. 3 – 11, Bd. Duca Gheorghe, Bl. B, Sc. B1, Et. 4, Ap. 47, registered with CUI 34264473 and J40/3463/2015 and owns, sells to the natural or legal person the products/ services/ courses and workshops presented on the website and collects the respective amounts from the clients. ARTE DEVELOPMENT & MANAGEMENT SRL provides the goods, services, courses and workshops that are subject to the terms and conditions below. The website www.cdrf.ro is property of ARTE DEVELOPMENT & MANAGEMENT SRL. The www.cdrf.ro domain, together with the virtual store and all the necessary software tools/databases, is managed by ARTE DEVELOPMENT & MANAGEMENT SRL for the purpose of marketing the products/services/courses and workshops presented on the site. For the best use of the site, it is recommended to read these terms and conditions carefully. ARTE DEVELOPMENT & MANAGEMENT SRL assumes the right to be able to make any changes to these provisions, as well as any changes to the website www.cdrf.ro, its structure or any other changes that could affect the site, without the need for any prior notification to users in this regard. The website www.cdrf.ro is hosted on the servers of ARTE DEVELOPMENT & MANAGEMENT SRL. The company ARTE DEVELOPMENT & MANAGEMENT SRL cannot be held responsible for any errors appearing on the site for any reason, including changes, settings, upgrades, etc. ARTE DEVELOPMENT & MANAGEMENT SRL is not responsible for the content, quality or nature of the sites reached through links from the www.cdrf.ro website, regardless of the nature of these links. For the respective sites, the owners of the sites in question bear full responsibility. Copyright The entire content of the website www.cdrf.ro , including, but not limited to, texts, images, graphics, buttons, programs, web graphic elements, scripts and any other data, is the property of ARTE DEVELOPMENT & MANAGEMENT SRL and/or its associates and/or its partners and/or its suppliers and is protected under the Copyright Act and the laws on intellectual and industrial property rights. Their combination (site design) is the exclusive property of ARTE DEVELOPMENT & MANAGEMENT SRL and is protected by the Copyright Law and the laws on intellectual and industrial property. The use without the written consent of ARTE DEVELOPMENT & MANAGEMENT SRL of any elements listed above is punishable according to the laws in force. All programs used on this site are the property of ARTE DEVELOPMENT & MANAGEMENT SRL or its software suppliers and are protected by the Copyright Law. Access to the site The ARTE DEVELOPMENT & MANAGEMENT SRL company guarantees the user limited access, in personal interest, to this website and does not grant him the right to download or modify the website in whole or in part, to reproduce the website in whole or in part, to copy , to sell/resell or exploit the site in any other way, for commercial purposes or contrary to the interests of ARTE DEVELOPMENT & MANAGEMENT SRL, without its written consent. Information security However, ARTE DEVELOPMENT & MANAGEMENT SRL does not assume responsibility for the loss of information caused by any malfunctions or errors of the software with which the site is designed and hosted, nor does it guarantee that the site, the server/servers or the emails sent by www.cdrf.ro do not contain viruses or other harmful components. Also, the company ARTE DEVELOPMENT & MANAGEMENT SRL is not responsible for failures that endanger the security of the server on which the site is hosted. About the purchase and responsibilities of products and services ARTE DEVELOPMENT & MANAGEMENT SRL guarantees the originality of the products displayed and delivered in the PRINT section. The products are accompanied by certificates of authenticity. Any complaint, of any nature, regarding these products must be brought to the attention of ARTE DEVELOPMENT & MANAGEMENT SRL within a maximum of 24 hours from the receipt of the products, after which it will be forwarded to the supplier of the respective products/the author, for final resolution. Customers which are not content with the print/product purchased have the right to notify in writing the canceling of the purchase, may return the product and choose another product from the store, subject to the terms and conditions below. Return costs are borne by the customer. Customers of the PRINT store on www.cdrf.ro can return the purchased products within a maximum of 14 working days from receipt, according to the provisions of OG 34/2014. The ordered product will be returned to us in the same condition in which it was delivered, with the certificate of authenticity undamaged and together with the delivery documents that accompanied it. It is the customer's responsibility to ensure that the products referred to will be returned within a maximum of 14 calendar days, otherwise, your request will be unfounded and thus the return will be refused. If you want to replace the product, the new order will be processed and shipped to you within 72 hours from the date of return of the originally ordered products. In case of product replacement, this action with be accomplished under the conditions and limits of a regular order, with the payment of the difference. If a refund of the value of the product is requested, this will be done within 14 calendar days after confirmation of the return. The value of the additional services, including but not limited to the transport of the products, paid by the customer, is not reimbursed. In all cases, the costs of return/re-shipment will be borne by the customer, except in cases where the package is severely damaged or the products were delivered incorrectly, have manufacturing defects or do not correspond to the description. Delivery and returns We offer transport by fast courier throughout Romania. Parcels are packed using all measures so that the products reach you in the best conditions. Delivery Duration Orders are delivered from Bucharest and arrive at their destination within 3 - 5 working days from the registration of the order. All orders placed on holidays or weekends will be processed on the first business day. Delivery time may vary depending on the volume of registered orders. Methods of delivery www.cdrf.ro makes deliveries through the fast courier company Fan Courier. Products are delivered sealed. Upon receiving the parcel, please check the integrity of the packaging. If it is damaged, please contact us. Shipping costs The delivery cost is 15 lei (Bucharest) and 25 lei (national delivery) . For international orders please contact us using the contact form on our website, to customize your shipping options accordingly. Limitations of Liability The website www.cdrf.ro and related materials (products, services, but also courses and workshops) are offered "as is", their modification is not accepted and "as long as they are available/places available". The company ARTE DEVELOPMENT & MANAGEMENT SRL shall not be held responsible nor does expressly or implicitly guarantee, in any way, the operation/functionality of the website. ARTE DEVELOPMENT & MANAGEMENT SRL offers a guarantee for the products sold on the website. ARTE DEVELOPMENT & MANAGEMENT SRL shall not be held responsible for any damages of any kind, including, but not limited to, any direct, indirect or incidental damages subsequently incurred through the handling of the products by the customer. INFORMATION ON REGISTRATION FOR COURSES AND WORKSHOPS Registration for ARTE DEVELOPMENT & MANAGEMENT SRL courses and workshops is done online by purchasing a ticket. You can view the entire program of future courses and workshops on the dedicated pages of www.cdrf.ro . In the description of each course and workshop, at the bottom of the page there is the ticket section where you can buy one or more tickets. Before buying, please read carefully the details of its organization (date, schedule, particularities, etc.). The price of each course or workshop is shown in the workshop description. Prices are always in lei. Places at courses and workshops are limited, depending on the specifics of the groups varying between 10 and 15 people maximum. Payment is made by card, in full, when paying online for the ticket for the course or workshop in question. The process of buying a ticket includes the following steps: 1. Select the number of tickets you want for the course or workshop in question and press the "complete order" button. 2. Fill in the billing details and fill in the details for the ticket (you can check that they are the same as the billing details if applicable). To issue the invoice, the participant must also fill in the address section. 3. Accept the terms and policies of ARTE DEVELOPMENT & MANAGEMENT SRL for the respective course or workshop. We recommend that you read them fully. 4. Secure online card payment. You will receive an email about payment confirmation and attached ticket. There is no need to print the ticket; it is enough to show it at the beginning of the workshop on the phone. At least 2 days before the workshop, you will receive an informative e-mail about the workshop with more organizational details, including the meeting place for the theoretical introduction of some of the workshops and courses. It is important that you leave us the correct contact details so that we can pass on all these details to you. ABOUT THE WORKSHOPS Most of our workshops have a 2 day duration, with the feedback provided by the coordinator to the participants is usually on the 2nd day. Each workshop has the same structure: Theoretical introduction, Practice and Feedback from the coordinator, for a selection of images made by the participant during the workshop. Each workshop is coordinated by a professional photographer. The photography practice lasts on average 8 hours with a lunch break. Lunch is not included in the price. Except for the urban landscape/rooftops workshop coordinated by Cornel Lazia, transport is not included in the price. ABOUT THE COURSES Our flagship educational program includes various course formats, the schedule of which can be consulted in the dedicated section of the website. The method of registration, communication and organization is similar to that of the workshops. INFORMATION ABOUT CANCELLATION AND REFUND POLICY We reserve the right to change without prior notice the dates of the workshops and courses or the hours, if this is required for objective reasons. If we cancel the course or workshop, we will refund the full cost of the tickets or you will be able to book another workshop or course with a similar cost. If you want to cancel the purchase of a place or participation in our courses or workshops, please contact us using the contact form of our website. For a full refund you must cancel at least 2 weeks (14 calendar days) before the start of the event/service. For a 50% refund you must cancel no later than one week (7 calendar days) before the start of the event/service. If you cancel during the week of the event/service, the refund is no longer eligible. However, you can request rescheduling to another event with a cost at least equal to the canceled one or to reschedule the provision of the service/purchase another service with a cost at least equal to the canceled one. OTHER INFORMATION ABOUT PARTICIPATING IN COURSES AND WORKSHOPS We photograph every course and workshop. The photos taken are used exclusively for the communication and promotion of the website www.cdrf.ro . If you wish not to be photographed, please let us know at the beginning of the workshop. Applicable for video recordings, if the case. For the performance photography workshops coordinated by Adi Bulboacă and studio photography coordinated by Ionuț Staicu, for the future use of the images taken within the framework of the workshop, the participants: - have the right to use the photos taken in the workshop for the purpose of personal promotion as a photographer, including in their own portfolio, as long as they do not harm the reputation or dignity of the people photographed. - for any other form of use of the photos (i.e.: use in an exhibition, sale or donation of the right of use to third parties, use for commercial purposes) they must contact the representative of ARTE DEVELOPMENT & MANAGEMENT SRL in advance to start the process of obtaining consent of those photographed. Rules for the good conduct of courses and workshops: - in the e-mail we send before the start of the course or workshop, we leave you a contact phone number; please save it and call us if you are late for the class or workshop; - please have a respectful attitude towards the ARTE DEVELOPMENT & MANAGEMENT SRL team, the photo subjects (when applicable) and the other participants; - we reserve the right not to accept participants who are intoxicated or under the influence of drugs; - we reserve the right to exclude from the workshop any participant who makes discriminatory remarks to those present or behaves aggressively; - please come prepared for the course or workshop, with the necessary equipment (camera, lenses, batteries, memory cards, etc.). However, people who want to take photos with their mobile phones are welcomed; - please consider the recommendations in the email we send before the start of each workshop regarding comfortable shoes or light clothing for workshops, where we walk a lot. Communication The communication will be made to you in writing. For any question or suggestion, please contact us using the contact form of our website or use the direct message option on our Facebook or Instagram page. We send out newsletters and informative emails with an irregular frequency. You can subscribe to our communications by filling out our newsletter form . If you no longer wish to receive communications from us, press the unsubscribe button in the e-mail you receive. Final provisions If any of the above clauses are found to be invalid or invalid, regardless of the cause, this clause does not affect the validity of other clauses. With the purchase and launch of the order, the customer accepts without objection the conditions and terms of use, their value being the same as a valid concluded contract. Applicable law and disputes By using (visiting or purchasing products) the site, the user agrees that the Romanian laws will govern the above Terms & Conditions of Use and any dispute of any kind that may arise between the user and the company ARTE DEVELOPMENT & MANAGEMENT SRL and its associates/ partners/ affiliates. In case of any conflicts between ARTE DEVELOPMENT & MANAGEMENT SRL and its clients, we first try to resolve them amicably. If the amicable solution is not possible, the conflict will be resolved in court, in accordance with the Romanian laws in force. Disclaimer ARTE DEVELOPMENT & MANAGEMENT SRL assumes responsibility for the product descriptions presented on the website for the purpose of selling. Also, the images that are presented on the website may differ in terms of color depending on the display of your device. ARTE DEVELOPMENT & MANAGEMENT SRL does not guarantee the availability of the displayed products in stock, which is why the company has the right not to deliver part or all of a particular order if certain products no longer appear in the supplier's current offer or are not available for other reasons (temporary out of stock, out of stock, etc.). If the payment is made in advance, the customer has the right to receive back the money paid for the respective product. In all cases where the products cannot be delivered, the customer could only ask for the immediate return of the sums already collected by ARTE DEVELOPMENT & MANAGEMENT SRL, but not other compensations. The maximum value of ARTE DEVELOPMENT & MANAGEMENT SRL's obligations towards any customer in the case of non-delivery or improper delivery of the purchased products is the amount collected by ARTE DEVELOPMENT & MANAGEMENT SRL from the respective customer. ARTE DEVELOPMENT & MANAGEMENT SRL and its suppliers do not assume responsibility for any printing or display errors on the website regarding prices or other data/details related to products, directly or indirectly. In the event that the prices or other details related to the products were displayed incorrectly, including due to the fact that they were entered incorrectly in the database, ARTE DEVELOPMENT & MANAGEMENT SRL reserves the right to cancel the delivery of the respective product and notify the customer as soon as possible about the error, if the delivery has not yet been made.

Masterclass Fotografia și scrierea creativă Cum îmi prezint munca, pe mine și viziunea mea artistică Details Black and White Development Introductory Workshop Learn to develop your own film and work in the darkroom Buy Tickets 1-on-1 Workshop in the Development Room Light, expose and control the image on photographic paper Buy Tickets Visual anthropology workshop, an introduction "Does looking mean understanding?" – Visual explorations between memory, identity and narrative Details PHOTOGRAPHY SCHOOL #5 8 lecturers, all professional photographers active in artistic and/or commercial photography who will provide information, guidance, support and advice to each individual student, adapted to the needs and knowledge of each one Details Introductory Course: Photography in China and Japan: Visual Narratives between Tradition and Modernity "Does looking mean understanding?" – Visual explorations between memory, identity and narrative Details The Photography Project - From idea to implementation Recommended level: intermediate - advanced Details Fine Art Photography - Project, Process, Market - Masterclass with Bogdan Gîrbovan Recommended level: intermediate - advanced Details Multiple Dates 1-on-1 Workshop in the Development Room Light, expose and control the image on photographic paper Details КИО / KIO opening Learn more Multiple Dates Black and White Development Introductory Workshop Learn to develop your own film and work in the darkroom Details Opening of "Lingua Matrimonia Study No. 17" by Eliza Lupu - March 20, 6:00 PM We invite you to discover "Lingua Matrimonia Study No. 17" - the exhibition signed by visual artist and conceptual photographer Eliza Lupu, which will take place on March 20, at 6:00 PM, at Popa Tatu 68. Learn more Fotomarket #6 Learn more SCHOOL OF PHOTOGRAPHY #4 8 lecturers, all professional photographers active in artistic and/or commercial photography who will provide information, guidance, support and advice to each individual student, adapted to the needs and knowledge of each Details Workshop of show photography December 21, 2024 Duration: 6 hours Place: a performance hall Recommended level: intermediate Price: 600 lei Details Fotomarket #5 Learn more DĂ DIN CASĂ Learn more Light in the studio November 12, 2024 – December 14, 2024 Duration: 21 hours Place: CdRF Recommended level: beginner Price: 2100 lei Details Load More

1/4 EXPOZIȚII ÎN CURS Detalii Fotografia și scrierea creativă Fri, Nov 07 Centrul de Resurse în Fotografie Details Black and White Development Introductory Workshop Data și ora urmează să le stabilim împreună Sediul CdRF Buy Tickets 1-on-1 Workshop in the Development Room Data și ora urmează să le stabilim împreună CdRF headquarters Buy Tickets ©2025 by CdRF

Exhibition Fotografia și scrierea creativă Cum îmi prezint munca, pe mine și viziunea mea artistică Details Black and White Development Introductory Workshop Learn to develop your own film and work in the darkroom Buy Tickets 1-on-1 Workshop in the Development Room Light, expose and control the image on photographic paper Buy Tickets Visual anthropology workshop, an introduction "Does looking mean understanding?" – Visual explorations between memory, identity and narrative Details PHOTOGRAPHY SCHOOL #5 8 lecturers, all professional photographers active in artistic and/or commercial photography who will provide information, guidance, support and advice to each individual student, adapted to the needs and knowledge of each one Details Introductory Course: Photography in China and Japan: Visual Narratives between Tradition and Modernity "Does looking mean understanding?" – Visual explorations between memory, identity and narrative Details The Photography Project - From idea to implementation Recommended level: intermediate - advanced Details Fine Art Photography - Project, Process, Market - Masterclass with Bogdan Gîrbovan Recommended level: intermediate - advanced Details Multiple Dates 1-on-1 Workshop in the Development Room Light, expose and control the image on photographic paper Details КИО / KIO opening Learn more Multiple Dates Black and White Development Introductory Workshop Learn to develop your own film and work in the darkroom Details Opening of "Lingua Matrimonia Study No. 17" by Eliza Lupu - March 20, 6:00 PM We invite you to discover "Lingua Matrimonia Study No. 17" - the exhibition signed by visual artist and conceptual photographer Eliza Lupu, which will take place on March 20, at 6:00 PM, at Popa Tatu 68. Learn more Fotomarket #6 Learn more SCHOOL OF PHOTOGRAPHY #4 8 lecturers, all professional photographers active in artistic and/or commercial photography who will provide information, guidance, support and advice to each individual student, adapted to the needs and knowledge of each Details Workshop of show photography December 21, 2024 Duration: 6 hours Place: a performance hall Recommended level: intermediate Price: 600 lei Details Fotomarket #5 Learn more DĂ DIN CASĂ Learn more Light in the studio November 12, 2024 – December 14, 2024 Duration: 21 hours Place: CdRF Recommended level: beginner Price: 2100 lei Details Load More

Area You will find us in Popa Tatu street, no. 68. Enter the courtyard with confidence, admire the exhibitions that accompany you on the way to us, and you will reach us. From Monday to Thursday, we are open from 10:00 to 18:00. We are open until 22:00 on Fridays. On Saturdays and Sundays, the space is dedicated to our students for workshops, courses and other educational activities. Library with over 100 photography titles, albums and magazines, books by and about photography and photographers, and convenient spaces to browse. Workspace meaning two powerful computers (a Mac and a Windows for all tastes) with Lightroom, Photoshop and more. The lecture hall where we hold theoretical sessions but where you can also hold meetings. Small studio for exercises, practice and experiments, where you can spend hours learning to match lights or shoot smaller products. Old-style developing camera to practice developing black and white photo films or to experiment with various techniques like analog Photoshop. Small event space and exhibition space where we gather every Friday evening and talk about photography.

abonamente No plans available Once there are plans available for purchase, you’ll see them here. Back to Home Page